Roy ayers ubiquity everybody loves the sunshine lyrics

Roy ayers ubiquity everybody loves the sunshine lyrics movie#

ItвЂ™s an album you need when stuck in traffic on a scorching hot day, almost as vital as air conditioning. The album sounds less like actual paradise than it does the Utopian fantasy of summer through the lens of an urban prism. R egardless of what concrete and steel pressure cooker you happen to live in, these are ten tracks as refreshing as a cannon ball dive into a outdoor public swimming pool. ItвЂ™s a record as quintessentially California as the Hollywood sign, from an LA-raised, Brooklyn-adopted artist who as far back as 1963 was debuting with an album called West Coast Vibes. But вЂњEverybody Loves The SunshineвЂќ is by far AyersвЂ™ most famous song, and the album of the same nameвЂ“which turns 40 this yearвЂ“might be his most cherished LP just by association. HeвЂ™s carved a mean score for blaxploitation joint Coffy (1973), and cut the joint classic with Fela Kuti, Music of Many Colors (1980). HeвЂ™s done everything from free-wheeling jazz to lean R&B. Lyrics donвЂ™t come fully-formed when your buzzed on the hot sun and cold Heineken.ДЄyers should have his own stamp by now. вЂњJust bees and things and flowers,вЂќ he sings smoothly, his voice flanked on both sides by Las Chicas and Chano OвЂ™Ferral. But has there ever been a more blissful sales pitch for the season than вЂњEverybody Loves The Sunshine?вЂќ Roy Ayers could probably sell you seafront property in Nebraska. The bugs are out in force, public transport is hell, and my garden looks like something out of Jumanji. When the sun isnвЂ™t frying you to ash, the low cloud and humidity is baking you to a crisp. вЂњEverybody Loves The SunshineвЂќ is a song so intertwined with his memories of the palm-treed pavement of his home city, itвЂ™ll forever be intertwined with DreвЂ™s legacy. The California sun is under his skin, embedded in his DNA.

Roy ayers ubiquity everybody loves the sunshine lyrics movie#

Dre himself flipped AyersвЂ™ groove into the unreleased circa-1995 joint вЂњMy Life,вЂќ seeing Doc fill his glass with Hennessey, spark a blunt, and reminisce over the same period of time the glossy Hollywood movie would depict two decades later. вЂњEverybody Loves The SunshineвЂќ has been sampled so regularly, itвЂ™s got its own chapter in the hip-hop playbook. It connected the sound of seventies Los Angeles to NWAвЂ™s Molotov cocktail set to hit eighties South Central. The bandвЂ™s cool piano chords, spaced-out key riffs and lazily-rapped congas offer a refuge from the chaos and violence of previous scenes. Ringing through his headphones is Roy AyersвЂ™ smooth classic вЂњEverybody Loves The Sunshine.вЂќ As the track spins, Dre closes his eyes and drifts away. Teenage Dre is seen laying on the floor of his Compton bedroom, entombed in the records that supplied an extensive musical education. The future headphone hawkerвЂ™s introduction in the movie is just as telling. Dre might not have been totally dishonest, but he lasered away the warts. Dave Chappelle once joked that making a movie about your own life brings the temptation to lie. Last yearвЂ™s Straight Outta Compton ( which Dre co-produced), opens with the beat from his вЂњTalking To My DiaryвЂќ and ends with the Good Doctor dramatically exiting the bleakness of Death Row towards the light of Aftermath.